What
is O.S.I?
Interview with Annina di Oronzo and Marco Bedini, founders
of the O.S.I. group.
Osi means: Occupation of Internal Spaces. We transform the
everyday habitats of private homes: bathroom, kitchen, living-room,
bedroom, store...all with a live art set.
"We began with our friends homes", says Annina di
Oronzo, a visive artist and creator of the project. Tired
of the usual evenings in bars, bored with trailing herself
from one part of the city to another for events and performances.
In the home, we don't "live" it any more, apart
from sleeping, and getting rid of tension after work and with
living everday life with our partner. Our home ends up being
a confusion of tension; a implosive location to regenerate
and revitalize. We began in Rome, but discovered that there
were the same neccessities in other smaller cities. Thus we
went to homes of those people, equipped with video camcorders,
cameras, and audio recorders to try and understand something
about their lifestyles, and then re-interpret and re-invent
a form of performance based upon the captured information.
It came naturally to us how to "live" these spaces,
creating events which occurred simultaneously in all points
of the home. For example we remember a couple who told us...they
were tired of seing the same iron beside the heap of clothes
to wash in the store room, during the week, before the cleaning
lady arrived, and who expected to find a kind of "Glade
airfreshener" advertising scene.
I must say that our performer, immediately re-baptised "Magdalena
of the Monks", really blasted away the image of the old
store room. We have great fun doing this in peoples homes
- we began in Rome and were then invited to Florence, Bologna,
Milano...in December we'll be in Berlin. The artists work
amongst the household belongings and everyone else together
- musicians, performers, visive artists, supervised by an
architect and an anthropologist who re-study the location
to "live", together with the home owners. Just because
people who lives their home in a normal way, don't have ideas
for their own habitat; every couple and family we met, had
untold dreams about their way to live a home. Marco Bedini,
one of founders of our group always says: "The risk of
opening a home is known. The pleasure of opening a home is
unknown" and it's exactly like that, infact one of our
fears which we affront most frequently was that of persuading
home owners to open their personal spaces. Afterwards, however,
everyone gets to know each other, and the Osi guests are no
longer strangers - they become a part of the event.
Creating an Osi event is great fun. We arrive at the appartment
to occupy, two weeks beforehand, to get to know the habitants
of the home, and their daily habits. We call it the reccy
(reconnaisance) and it is actually already an event in itself;
something between a backstage registration and a Nanni Loi
style documentary, with the purpose of analysing the "lived"
areas of the home and the home owners themselves, to create
a temporary break between the spaces and who "lives"
them. Then we agree a time and method organisation plan, together
with the neighbours, after which we choose a date for the
event.
What is Osi?
M,B,
Osi is an act of psycomagic. An event which tends to reconstruct
the passage of a lived space, through the different areas
of the habitat, and the actions which are created within that
internal space. The reconstruction of an existential path,
through actions which normally occur in a private habitat
to capture the futuristic dimension of this ghostly world.
What does "living" signify to you? How do you live?
M.B.
Living is an attempt to reconstruct everyday habits; to try
to stay in your own home, knowing that no space will belong
to us forever.
How was this idea of creating events in lived, private spaces,
born?
M.B.
The idea was born during a normal party with the same old
boring friend. Therefore, we asked ourselves: "Why not
organise events in strangers homes, to requalify their monotonous
way of life, in a monotonous way, in their monotonous habitat?"
Is an Osi event a form of art, or a show?
M.B.
An Osi event gives you the possibility to find an actor in
your wardrobe, because after the first time you see an actor
in your wardrobe, you'll always see them there.
How do you manage to convince people to organise an event
in their own homes?
M.B.
We simply tell them: if you want to discover a part of your
future - entrust us with your space...we don't have problems
with the size of the area, every space is adaptable. The society
of the show has, within itself, it's own pathology of practical
order and organisation: bookings, the entrance queue, last
minute extra seating in the last row...esthetic experience,
put to test under the iron rules of the fabrication of fun.
On one occasion only, we will bring the event to your home...and
we're not balloon blowers.
How do you construct an Osi event?
M.B.
An Osi show is invented, by interviewing the occupants and
studying their space at least two weeks before the event.
Then we decide the areas and nature of the performances: from
the projection of porn on the neighbours wall, to a buth performance;
from an electronic music concert, to animated sculpture; from
vegan banquets, to an ecological dinner with the theme "Colour".
The entire exhiliration of the omniverous being. We are a
nine headed dragon and every individual, nurtures themselves
in a different manner, as well as having a different thinking
process. Nothing in any event is ever the same, and neither
is each habitat which is transformed into a form of art.
Even the participation in an Osi event, signifies entering
into circulation of the event and becoming part of it. A passive
form of participation doesn't exist, as neither does a standard
method of participating during the twelve hours in which the
event takes place. Simple spectators don't exist. You may
be involved in the moving of a lamp or even the construction
of a lamp...
What does Osi signify for you all?
M.B.
It has a literal significance, because a friend can lend his
space to us, whereas, in other cases, when a habitant decides
to entrust us with their habitat, we return their space back
to them after the event.
However, nothing will be the same as before.
We don't want to create currents, movements, avantguard associations
or families, the only elements we need are spaces, open to
us, which are always different. The artists don't represent
a continuous group of intervention, but of different groups,
singles, and other affirmed artists, who all work on the project
to be created. You could say that we're the hard discount
store of performances, within which you'll be able to see
a Portuguese Filodramatic actor, a Norwegian circus performer,
a German fire eater...
We are financed by a contribution of our hosts, the home owners.
At present, we're collaborating with the Urbanistic Department
of the Architectural Faculty of Rome, for the creation of
an event and a workshop on the theme of living. On that occasion
we'll reproduce the dynamics of an Osi event.
Interview with Laura Martini and Daniele Vazquez from the
Research Center of Single Locations.
What does Osi signify?
D.V.
Osi signifies, Occupation of Internal Spaces, but the term
occupation has more to do with the anthropological production
of spaces, than with it's immediate political significance.
As the Research Center of Single Locations, and as a group
of architects and anthropologists, we bring our reflections
about the production of locations, into Osi events. We're
not interested in the topographic classification which is
a vogue today: non spaces, heterotopias, dystopias...we're
not interested in tout court spaces. In our opinion, a space
shouldn't be thought about as something empty to fill - we
think of it as the opportunity to take artistic contents into
homes, as empty containers. The space becomes a product to
be filled; the space doesn't pre-exist before living it, it's
the living of it which produces the space. Occupation of Internal
Spaces, therefore, signifies the production of a new temporary
space, on the basis of one which already exists; a new space
which would still leave traces and persistence in everyones
memory.
L.M.
The home is lived on the basis of routine; a mental space
overriding the physical one; when people ask us to create
an Osi event in their homes, they accept that their mental
space will be reconfigured. The distribution of objects and
people within that space will change with the works of each
artist, producing new mental constellations; the habitants
will see their home as they would never have imagined, and
this renews their way of living. The question of the matter
is to use an architectural language, as a form of replanning
of the mental space of the home. Instead of calling a designer
to refurbish the home, you can call Osi to reconstruct the
same perception which you have of your own home. We deal with
the creation of new mental maps: Thus as an Osi initiative,
we created a map of the home, indicating and in each room,
which the event was to be held and which would have broken
the purpose of it's normal usage. The bedroom became a theatre,
the living room - a cinema, the kitchen - a concert stage,
the store room - an angle of a forrest, and the shower - a
small countryside farm industry, producing tomato conserve...We
distributed this map, layed out and folded just like a map
which tourists use. It was a guide to orient yourself around
the event.
D.V.
I mentioned before that the spaces are products to live -
this signifies that we're not dealing with a representatve
object, but an amalgamation of ideas, thought about by the
people who live that space. The difference? The same map designed
by a topographer, and the one we could instinctively design
by memory. In this difference, there are distortions of affective
and imaginary nature. Within this difference, the artisti
work of Osi comes forth.
L.M.
This signifies that also our same perception of the rapport
between space and art ? parziale; the situation is complete,
only by the way in which the participants have lived the event.
For this reason, during one of the first Osi events, we did
the parody of an experiment held in the 60's about the rapport
between architectural spaces, and the affectionate-subjective
perception of the space, whilst showing a video and distributing
a questionaire. The end result was to discover how the participants
perceived the riconfiguration of the spaces within the home.
When asked "What is the occupation of an internal space?",
80% of people replied, that they considered an internal space
as an affectionate space, sentimental, interior and not simply
physical. Thus, the occupation of internal spaces, signifies
above all, the creation of social relationships in a new manner,
and this perception of the events integrates and completes
our discussion.